20 July 2007

A Walk to Torre Torre

Huancayo, Peru

If you follow Avenida Giraldez to the northeast out of Huancayo, the bustling traffic turns to dusty gravel roads, earthen shacks, sheep, stray dogs, and poor shantytown villages. The trail heads uphill through stands of eucalyptus and wildflowers to the red rock formations known as Torre Torre.






















19 July 2007

Calling all kids...



...(Or old kids): What would you like to know about life in Peru and Ecuador? Click on the Comments link at the bottom of this post (or any post) and type a question for me, and I will do my best to answer it in pictures and words. You will get the most interesting response if you make your question as specific as possible. Students: this is worth a BONUS point! (on your summer grade).

Images of Huancayo

Huancayo, Peru

Here are some images I shot in Huancayo the last couple of days. Enjoy!















18 July 2007

Bringing Art to Los Niños

Huancayo, Peru



Today after weaving class, I accompanied my fellow student, Leslie, to the Aldea Infantil el Rosario orphanage here in Huancayo, where she has been volunteering for the last couple of weeks. Last week she studied spinning and dying wool with natural dyes. This week she´s teaching it to the kids at the orphanage.



Today they were dying yarn with red onion skins that had been prepared by yesterday´s group, and they prepared a new dye for tomorrow's group - with eucalyptus leaves.



The kids loved it, and for young lives that have been filled with sadness, they were quite full of love and life. They loved my camera, and went crazy taking photos of each other (these are their photos).

17 July 2007

Staring into 25,000 Pre-Inca Faces

(15 July)
Lima, Peru


Mochica. 1 - 800 A.D. Apogee Epoch Warrior wearing elaborate headdress, a necklace and a shirt of metal plates

Don Rafael Larco Hoyle was born in 1901 to a wealthy sugar hacienda family in Peru. He became intensely interested in exploring the archaeological record of ancient Peru, and became an avid collector of Pre-Colombian ceramic pieces. Larco´s thousands of artifacts eventually ended up in a museum in an old viceroy mansion on Avendia Bolívar in Lima, where I am standing one hour before closing, staring up and down and across the endless shelves of the storage room at over 25,000 faces preserved in ceramics from several Pre-Inca civilizations across Peru.



I stare back over two thousand years at faces of endless variety - sad, forlorn, confused, tired, enraged, on the war path; some appear to have African facial features, others appear to be wearing a Spanish nun´s robes. They sit, frozen in time, still figures on a dusty shelf, until you look them in the eye, and their world comes to life before you, the ocean breeze and the buzz of traffic seeping through the open window.

Weaving in Huancayo

Huancayo, Peru



I arrived in Huancayo early Monday morning by bus from Lima. My teacher is Margarita, a little old indigenous lady from one of the local villages here in the Montaro Valley of the Central Andes. She and Mercedes come at 9am to teach me and Leslie, my fellow student who comes from Australia by way of living in Japan for the last three years.


Margarita

Margarita and Mercedes are native speakers of Quechua, the indigenous language, but they also speak Spanish with a thick accent, which is hard to make out. We manage to communicate in Spanish, but the learning process is largely visual and tactile. As a teacher, I always find it important to periodically put myself in the student´s shoes again - to remind myself of what my students face when they are struggling to understand or learn something new. Knowing absolutely nothing about this process, and having limited communication abilities, I am definitely finding myself in those shoes!



We are learning a method using what is called a Backstrap loom. What we are producing is a little thin belt or wristband that is woven tightly with thin yarn or thread in geometric designs. The backstrap loom is so called because it is stretched between a post on one end, and the weaver´s waste on the other. The loom is tightened by leaning back, and loosened by leaning forward. The mechanics of how the colored threads are manipulated on the loom is quite complicated. Our first lesson started yesterday with Margarita and Mercedes rather quickly stringing the colored thread on the loom for us. It was all happening very quickly, and I was panicking to keep up with what was going on. I was sure I would never be able to follow along, and that this was all one big mistake.



Once the loom was set up, and the weaving process begun, Margarita handed the reins over to me. There are several steps to the actual weaving process, which repeat over and over. There is a step where one has to reconfigure the order and layers of the colored threads, which gets very complicated. She began by showing me each step at a time, and having me do it. I was entirely lost in the process, but followed what she showed me to do. After an hour or so, the rhythm began to take hold of my fingers, and little by little, the process began to reveal itself. After our second class this morning, I am nearly finished with my first piece, and tomorrow we will go over the setup process, so I can learn how to begin a new weaving on my own.

The ladies are quite fun, and I joke around with Margarita a bit - mostly about what a blockhead she has to teach. Yesterday as we were working, Leslie was making good progress, and she remarked to Mercedes that "That one is learning" (meaning Leslie), but that "This one can´t do anything!" We all had a good laugh, and I think that was the point when they realized that Leslie and I could understand what they said in Spanish. Now they speak mostly in Quechua.

15 July 2007

Weaving in the Jungle

(13 July)
Rio Napo, Ecuador



On our last morning in the jungle, at my request, Dennis takes us out to a little hut down river
where he teaches us how the natives weave using palm leaves and branches...